Capela Compostelana
Capela Compostelana
Capela Compostelana was formed with the intention to bring back to light the music of the sixteenth, seventeenth and eighteenth centuries.
Our performance comes from the use of vocal and instrumental techniques proper to each period and style; this is, to our advice, the right practice to understand and enjoy works so much distant to us in time.
In this way, we try to learn, with humility and respect, the practice of those musicians contemporary to them.
The members of the ensemble were trained in the areas of early music and the fate or necessity brought them together in the end of the world, which is Compostela.
Since 1988 Capela Compostelana has performed concerts in Spain, Europe and USA, in prestigious festivals, including: Festival de Vitoria, Via Stellae, Semana de Música Antigua de Estella, Festival Internacional de Deia, Concerts de Música Barroca de Palma, Auditorio de Galicia, Metropolitan of New York, "Festival de Musique Sacree" de San Maló…
Some outstanding concerts
by
Capela Compostelana
José de Vaquedano
(1642-1711)
Luces y cariños
“Villancico para la procesión del Corpus Christie”
tiple, alto and accompaniment
A lo Charro
“Villancico a duo para Navidad”
tiple, tenor and accompaniment
Celebrad, Oh mortales
“Villancico a duo del Santísimo”
tiple, alto and accompaniment
Por donde, di
“Villancico para la traslación del Santísimo Sacramento
en el Real Templo de San Payo”
solo voice, solo viol and accompaniment
Clarines de Zafir
“Villancico al Apóstol”
two “tiples”, tenor amd accompaniment
Sonata a tres
Cuidado sentidos
“Villancico al Santísimo”
tiple, tenor, two treble viols, bass vioiin and accompaniment
Lamentación “Manum Suam Misit Hostis”
“a seis con vigüelas”
tiple, alto, tenor three viols and accompaniment
1991
Capela Compostelana
Conductor: Francisco Luengo
Lambert Climent
Jordi Ricart
Miquel Ramón
Francisco Luengo
Ventura Rico
Itziar Atucha
Alfredo Barrales
Juan Carlos de Mulder
Daniel Carranza
Fernando Sánchez
Felipe Rodríguez
Fernando López Pan
countertenor
tenor
bass
bass
treble viol
tenor viol
tenor viol
bass viol
vihuela
vihuela
dulcian
tenor shawn
harpsichord and organ
Et tibi redetur
Sicut cervus
Sitivit anima mea
Fantasía I
O quantus luctus
Fantasía II
Ad Dominum cum tribularer
Sagittae potentis
Fantasía III
Super flumina Babilonis
Fantasía IV
Exsultate Deo
Missa: “O quam gloriosum est regnum”
Kyrie
Gloria
Credo
Sanctus
Benecdictus
Agnus
Olando di Lasso (1542-1594)
J.P. de Palestrina (c.1525-1594)
Ambrosio de Cotes (c.1550-1603)
J.P. de Palestrina
Ambrosio de Cotes
J.P. de Palestrina
Ambrosio de Cotes
J.P. de Palestrina
Ambrosio de Cotes
J.P. de Palestrina
T. L. de Victoria (c.1548-1611)
I
Cantata “Actus Tragicus”
“Gottes zeit ist die allerbeste zeit” BWV 106
J. S. Bach (1685-1750)
II
Jephte
Oratorio for six voices and basso continuo
Giovanni Carissimi (1605-1674)
Capela Compostelana
Conductor: Francisco Luengo
Laura Alonso Padín
Joana Llabrés
Lambert Climent
Lluís Vilamajó
Jordi Ricart
Ernesto Schmied
Fernando Paz
Francisco Luengo
Alba Fresno
Alfonso Morán
Daniel Carranza
Fernando Sánchez
Manuel Vilas
Fernando López Pan
Marcos Vázquez
soprano
soprano
countertenor
tenor
tenor
bass
recorders
recorders
viol
viol
viol
violone
archiliuto
baroque basoon
baroque harp
harpsichord and organ
percussion
G. Ph. Telemann
(1681-1767)
Trio G moll
oboe, viola da gamba & basso continuo
Adagio - vivace - adagio - allegro
Sonata en E moll
viola da gamba & basso continuo
Cantabile - allegro - recitativo - arioso - vivace
Sonata E moll
oboe & basso continuo
Largo - allegro - grave - vivace
J. Froberger (1616-1667)
Suite in G moll
harpsichord
Allemande - gigue - courante - sarabande
G. Ph. Telemann
Trio in G
oboe, viola da gamba & basso continuo
Cantabile - vivace - affetuoso - allegro
Capela Compostelana
Conductor: Francisco Luengo
baroque oboe
viola da gamba
viola da gamba
harpsichord
Capela Compostelana
Conductor: Francisco Luengo
Marta Almajano
Lambert Climent
Francisco Luengo
Ventura Rico
Alfredo Barrales
Alfonso Morán
Daniel Carranza
Fernando López Pan
soprano
countertenor
tenor
treble and bass viols
treble and bass viols
bass viol
violone
theorbo
harpsichord and organ
Cuidado sentidos
“Villancico para la procesión del Corpus Christie”
alto, tenor and accompaniment
Atención, que hoy empieza
“Cantada sola con violón al Santísimo Sacramento”
tenor, solo viol and accompaniment
Por donde, di.
“Villancico para la traslación del Santísimo Sacramento
en el Real Templo de San Payo”
alto, solo viol and accompaniment
Celebrad, oh mortales
“Villancico a duo del Santísimo”
tiple, alto and accompaniment
Concerto
harpsichord, two violins, alto and accompaniment
Andantino - Largo - Rondó
Como pudiera ser
tenor, two violins and accompaniment
Recitado and aria
Recitado and aria
Oh, admirable
alto, tenor and accompaniment
Si pelícano amante
alto, two violins and accompaniment
De vuestro amor y pena
“Villancico” duo with violíns
Sinfonía - recitativo - aria
José de Vaquedano (1642-1711)
Joaquín García (1710-1779)
Tiple, solo viol and accompaniment
José de Vaquedano
Villancico para la traslación del Santísimo Sacramento
en el Real Templo de San Payo
Para voz sola, con violón obligado y acompañamiento
Anónimo (Catedral of Astorga)
Francisco Hernández y Llana (Catedral of Astorga)
Anónimo (Catedral of Astorga)
Sebastian Thomas (1756 Catedral of Astorga)
Francisco Hernández y Llana (Catedral of Astorga)
Capela Compostelana
Conductor: Francisco Luengo
Miro Moreira
Lambert Climent
Martín Domínguez
Salvador Vicente
Francisco Luengo
Alfonso Morán
Fernando López Pan
alto
tenor
baroque violin
baroque violin
viola da gamba
violone
harpsichord
La Rosa que Reyna
Voice, treble viol,bass viol and accompaniment
Sosieguen, descansen
Voice, solo viol and accompaniment
Suite en trio
Canzón-corrente I - corrente II I - Balletto - Gagliarda
Y pues que nada sirve
Voice, solo viol and accompaniment
Matribus suis dixerunt
Lamentación 2ª de Venres Santo
Voice and accompaniment
Manum suam misit hostis
Lamentación 2ª de Xoves Santo
Voice, two solo viols and accompaniment
Por donde, di
“Villancico para la traslación del Santísimo Sacramento
en el Real Templo de San Payo”
Voice, solo viol and accompaniment
Juan de Navas (1647-1709)
Tiple, vihuela de arco soprano,
Sebastián Durón (1660-1716)
B.de Salma y Salavedre
Antonio Literes (1673-1747)
Tiple, vihuela de arco e acompañamento
José de Vaquedano (1642-1711)
Antonio V. Roel del Rio (†1767)
Para tiple e acompañamento
José de Vaquedano
Capela Compostelana
Conductor: Francisco Luengo
soprano
viol
theorbo and baroque guitar
treble and bass viols
Divine and Secular in Spanish Baroque
Dietrich Buxtehude
(1637-1707)
“Membra Jesu Nostri”
Ad pedes - Ad genua - Ad manus - Ad latus - Ad pectus - Ad cor - Ad faciem
Capela Compostelana:
Pablo Gastaminza
Elsa Ferrer
Pablo Ruibal
Maika Novoa
baroque violin
baroque violin
viola da gamba
viola da gamba
Francisco Luengo
Valentín Novio
Alfonso Morán
Fernando López Pan
viola da gamba
theorbo
violone
organ
Continuo:
Coro de Cámara do Orfeón Caixa Galicia Terra a Nosa
Capela Compostelana
soprano
soprano
countertenor
tenor
bass
Soloists:
Capela Compostelana
Conductor: Francisco Luengo
baroque violin
treble and bass viols
bass viol
theorbo and baroque guitar
Teatro Principal
Santiago de Compostela
Vespro della Beata Vergine
Claudio Monteverdi
(1567-1643)
baroque violin
baroque violin
cornetto
cornetto
alto sackbut
tenor sackbut
bass sackbut
dulcian
violone
theorbo
arpa tripla
harpsichord and organ
viola da gamba
Performers:
Soloists of
Capela Compostelana
Elsa Ferrer
Angel Sampedro
Arnau Rodón Sadurní
Lluis Coll
Jordi Giménez
Ramón Pérez
Francisco Javier Benegas
Fernando Armiño
Alfonso Morán
Valentin Novio
Manuel Vilas
Bruno Forst
Soloists:
Monica Piccinini, Isabel Álvarez, sopranos
Elena Ruíz, alto
Lambert Climent, Gerardo López, Diego Neira, tenors
Danielle Carnovich, Xurxo Varela, basses
1992
Catedral de Astorga
Musica en la Catedral de Astorga II
1994
Auditorio de Galicia
Santiago de Compostela
1995
Auditorio de Galicia
Santiago de Compostela
1997
Collegiate Church Santa María la Real
Xunqueira de Ambía
2000
Centro Galego
Lisbon
2002
The Origins of Sonata
Several cities of Spain
2003
“Os Jerónimos” Monastery
Lisbon
2006
Several cities of Spain
Suite (Terpshicore 1612)
Pavane de Spaigne-Spagnoletta
Courante1 - Courate II
Ballet des Amazones - Ballet du Roy
Volta - Gallarda
Canzona XXII (1628)
detta “La Nicolina”
Canzona XVIII
detta “La Masotti”
Canzona XXIII
detta “La Franciotta”
Danza de Hachas
Browning
Fantasía “La Gamba”
Sonata en A moll
Adagio - allegro - adagio
allegro - adagio - aria
courante - giga -sarabanda
(variatio) adagio - ciaconi - adagio
M.Praetorius (1571-1621)
G. Frescobaldi (1583-1643)
Antonio Martin y Coll (1660-1734)
Elway Bevin (c.1554-1638)
Vicenzo Ruffo (c.1508-1587)
J. M. Nicolai (1629-1685)
2001
Samos Monastery
Capela Compostelana
Conductor: Francisco Luengo
treble and bass viol
bass viol
bass viol
luth and theorbo
Conductor: Miro Moreira
Conductor: Miro Moreira
Le Tableau de l’Operation de la Taille (5º livre)
L’aspect de l’apareil–Fremissement en le voyant–Resolution pour y monter
Parvenu jusqu’au haut–Descente dudit l’apareil–Reflexions serieuses
Entrelassement des soyes entre les bras et les jambes–Icy se fait l’incision
Introduction de la tenette–Icy l’on tire la piere–Icy l’on perd quasi la voix
Eciulement du sang–Icy l’on oste les soyes–Icy l’on vous transport dans le lit
Les Relevailles
Suite en la mineur (5º livre)
Prelude “Le Soligni”
Allemande “La Facile”
Sarabande
La Marieé
Gigue
Menuet I - Menuet II - Double
Couplets de Folies (2º livre)
Deuxieme suite a III violes (4º livre)
Caprice
Allemande
Courante
Paysane gracieuse
Sarabande
Gigue
Muzette
Capela Compostelana
viola da gamba
viola da gamba
baroque guitar
harpsichord
2008
Sobrado Monastery
Festival Via Stellae
La Chambre du Roy
Works for viola da gamba.
Marin Marais (1656-1728)
Conductor: Francisco Luengo
Coro Universitario de Santiago de Compostela
Capela Compostelana
Cancioneiro de Palacio
Pasa el agoa
Sol enzima
Tres morillas
Diferencias sobre “El Canto del Caballero”
Por unos puertos arriba
La tricotea
Ave color vini clari
Rodrigo Martínez
Cancioneiro da Colombina
Propiñan del Melyor
Que bonito niño chiquito
Cancioneiro de Upsala
En la fuente del rosel
Yo me soy la morenica
De los álamos vengo
Faralaran
Tres III, sobre el canto llano de la Alta
Cancioneiro de Medinacelli
Prado verde y florido
Aquella voz de Cristo
Huyd, huyd
Corten espadas afiladas
Di, matadora
Anonymous
Anonymous
Anonymous
Antonio de Cabezón (c.1510-1566)
Antonio de Ribera
Alonso
J.Ponce
Anonymous
Anonymous
Anonymous
Juán Vázquez
Anonymous
Juán Vázquez
Anonymous
Antonio de Cabezón (1528-1588)
Fancisco Guerrero
Anonymous
Francisco Guerrero
Anonymous
Anonymous
“El Tañer con el Cantar”
Capela Compostelana:
recorders
recorders
viola da gamba
viola da gamba
vihuela
percussion
Soloists:
Sonata quarta
Violin, viola da gamba & basso continuo
Sonata seconda
Violin y bajo continuo
allegro - adagio - allegro
adagio - allegro - adagio
allegro - adagio
Sonata en Re mayor
Viola da gamba & basso continuo
Without tempo indication
Sen indicación de tempo
Allegro - vivace
Sonata III
Violin, viola da gamba & basso continuo
Vivace - allegro - lento
andante - gigue
Sonata en sol
Violin, viola da gamba and basso continuo
Sonata terza a due
Violin, viola da gamba & basso continuo
Allegro - adagio - presto
Sonata seconda a due
Violin, treble viol & basso continuo
Grave - allegro - adagio
allegro - adagio - largo
adagio - adagio - largo
Dario Castello (c. 1590-c.1630)
Dietrich Buxtehude (1637-1707)
Paolo Cima (c. 1570-c.1622)
J. Rosenmüller (1619-1684)
The Origins of Sonata
Francisco Luengo, viola da gamba, William Waters, theorbo and baroque guitar and Bruno Forst, harpsichord in the program “Continou’s Instruments” Monastery of San Domingos de Bonaval, Santiago (2003)
Conductor: Miro Moreira
Capela Compostelana
soprano
tenor
tenor
bass
2008
Sobrado Monastery
Santiago de Compostela
a film by
Fernando Cortizo
2010
Participation of
Capela Compostelana
in the recording of the soundtrack of
Hispaniae Lux
Performers
Manuel Pascual
Daniel Carbonell
Ramón Pérez
Hugo Kestteman
Alfonso Morán
Manuel Vilas
Bruno Forst
Conductor: Miro Moreira
Compostela Organum Festival
Instruments
Soloists
Isabel Álvarez, sopran
Ainhoa Zubillaga, mezzo
Gerardo López, tenor
Jordi Ricart, baritone
Hieronymus Bildstein
(c 1580-c 1626)
Hispaniae Lux
José de Vaquedano
(1642-1711)
Ave Regina Coelorum
4 parts and basso continuo
Adjuvanos Deus
4 parts and basso continuo
Dixit Dominus
6 voices
Missa a 4
Kirye
Gloria
Credo
Sanctus
Agnus
Pan por pan (1696)
“Villancico a 6 al Santísimo,
con Vigüelas”
Por donde, di (1707)
“Villancico para la traslación del Santísimo Sacramento
en el Real Templo de San Payo”
Solo voice, violón obligatto and basso continuo
Cuidado sentidos (1695)
“Villancico al Santísimo”
Tiple, tenor, two treble viols, violón and basso continuo
Peregrino, espera (1684)
“a tres e acompañamento”
Luzes y cariños
“Villancico para la procesión del Corpus Christie”
Two tiples, tenor and basso continuo
Oh, admirable sacramento”
“a tres e acompañamento”
¿Que le Diré a Esta Bella Zagala? (1674)
“Villancico a 8 a Nª Sª da Concepción”
Ah de la tumba sacra
“Villancico a 8 al Apostol
Works about St. James apostle by H. Bildstein and José de Vaquedano,
who was Chapel Master in the Cathedral of Santiago de Compostela
cornetto
shawn and “bajoncillos”
tenor sackbut
curtal
violone
spanish double harp
viola da gamba
viola da gamba
organ
Sopranos:
Aída López Carrera
Malena Pazos Pintor
Cecilia Rodríguez Morán
Elena Sobrino Fernández
Altos:
Óscar Mato Collazo
Sonia Miriam Rohrer Sobrino
Martín Viaño García
Tenors:
Chema Ares Pérez
Pablo Mato Collazo
Diego Neira Sinde
Capela Compostelana spend a substantial part of its work to the recovery and promotion of the Spanish Renaissance and Baroque music, with special care to Galician music. In this area Capela Compostelana has released the recordings "José de Vaquedano, Maestro de Capilla de la Catedral de Santiago de Compostela" (Ed. Edigal) and "Villancicos a Santiago" (Ed. Fonti Musicali), with compositions by one of the ilustrious Master of the Chapel from the “Catedral de Santiago de Compostela”.
Capela Compostelana is currently preparing upcoming recordings with Spanish music of this period.
The ensemble collaborates regularly with the “Orfeón Caixa Galicia Terra a Nosa”, and the “Capilla Musical de la Catedral de Santiago”.
2011
May, 6th, 2011
GUIÓN
INTONATIO: Deus in adjutorium meum intende (Plain chant)
HYMNUS: O lux et decus Hispaniae (T. L. de Victoria 1548-1611)
ANTIPHONA I: Domus mea. Primi Toni
PSALMUS 109: Dixit Dominus. Primi Toni (J. de Vaquedano 1642-1711)
Antiphona I
ANTIPHONA II: Bene fundata est
PSALMUS 116: Beatus vir. Octavi Toni (T. L. de Victoria)
Antiphona II
ANTIPHONA III: Domum tuam Domine
PSALMUS 111: Laudate Jeerusalem. Septimi Toni (T. L. de Victoria)
Antiphona III
CAPITULUM: Fratres: Jam non estis hospites
RESPONSORIUM: Constitues eos Principes
HOMILIA
ANTIPHONA: Sanctificavit Dominus. Primi Toni (A. V. Roel del Río 1705-1767)
MAGNIFICAT. Primi Toni (Cantorales de Polifonía de la Catedral de Santiago)
PRECES
ORATIO
BENEDICTIO
VERSUS: Benedicamus Domino
Regina Caeli (Cantorales de Polifonía de la Catedral de Santiago)
Performers
SOLOISTS
Conductor: Miro Moreira
cornetto
shawn and “bajoncillos”
tenor sackbut
dulcian
violone
spanish baroque harp
viola da gamba
viola da gamba
organ
Arnau Rodón
Daniel Carbonell
Ramón Pérez
Hugo Kestteman
Alfonso Morán
Manuel Vilas
Bruno Forst
Isabel Álvarez, soprano
David Azurza, countertenor
Martín Viaño, countertenor
Gerardo López, tenor
Diego Neira, tenor
Jordi Ricart, bass
Consecration
of the
Cathedral of Santiago de Compostela
May, 7th , 2011
PROCESSIONN
ITINERARIUM CRUCIS (Joam Trillo 2011)
(Iacobi Ecclesiae consecrationis)
ENTRANCE
SANCTIFICAVIT DOMINUS (A. V. Roel del Río 1705-1767)
ORDINARY CHANTS OF THE MASS
MISSA A 4 (J. de Vaquedano 1642-1711)
Kyrye
Glori
Sanctus
Agnus
GOSPELL ACCLAMATION
Aleluya
CREDO
ET INCARNATUS EST (Nemesio Garcia Carril)
PROCESSIONAL CHANTS OF EUCHRIST
VILLANCICOS AL SSMO. SACRAMENTO (J. de Vaquedano)
VILLANESCAS ESPIRITUALES (F. Guerrero 1528-1599)
OVEJA PERDIDA (J. Méndez 1937-1983)
Performers
SOLOISTS
Arnau Rodón
Daniel Carbonell
Ramón Pérez
Hugo Kestteman
Alfonso Morán
Manuel Vilas
Bruno Forst
Isabel Álvarez, soprano
David Azurza, countertenor
Martín Viaño, countertenor
Gerardo López, tenor
Diego Neira, tenor
Jordi Ricart, bass
800th Anniversary
Conductor: Miro Moreira
cornetto
shawn and “bajoncillos”
tenor sackbut
dulcian
violone
spanish baroque harp
viola da gamba
viola da gamba
organ
Pan por pan…
Fragment
Actus Tragicus
Sonatina
Fragment
Actus Tragicus Gottes Zeit Fragment
Actus Tragicus
In deine Hände Fragment
Jephte
Transivit Fragment
Jephte
Plorate Fragment
Luzes y cariños
Fragment
Por donde, di…
Fragment
Lamentación “Manum Suam”
Fragment